简介：银河帝国再建威力更大的新“死星”，试图彻底消灭抵抗力量。卢克•天行者（马克•哈米尔 Mark Hamill 饰）派机器人R2-D2和C-3PO前往塔图因星贾霸处协商交换被冷冻的韩•索罗（哈里森•福特饰）未果；后在莉亚公主（卡里•费什尔 Carrie Fisher 饰），猿人丘巴卡（彼得•梅林 Peter Mayhew 饰）和蓝多•卡瑞辛（比利•迪•威廉姆斯 Billy Dee Williams 饰）的帮助下终于营救成功。在尤达师傅处，卢克发现了更多关于自己身世的秘密，也终于决定迎接成为一个绝地武士的终极挑战。卢克回到抵抗组织参与攻打“死星”行动，与韩•索罗，莉亚公主，丘巴卡，机器人R2-D2和C-3PO共同前往森林密布的恩多星破坏“死星”防护罩的能源站，与此同时蓝多•卡瑞辛驾驶千年隼飞船带领各部施展航空打击。没曾想卢克一行人刚踏上恩多星，就遭遇当地部落伊沃克人，莉亚公主也不知所踪……本片获第56界奥斯卡视觉效果特殊贡献奖，并获最佳艺术指导-布景，最佳声音剪辑，最佳原创电影音乐及最佳音效四项提名。
简介：Burroughs: The Movie explores the life and times of controversial Naked Lunch author William S. Burroughs, with an intimacy never before seen and never repeated. The film charts the development of Burroughs' unique literary style and his wildly unconventional life, including his travels from the American Midwest to North Africa and several personal tragedies. Burroughs: The Movie is the first and only feature length documentary to be made with and about Burroughs. The film was directed by the late Howard Brookner. It was begun in 1978 as Brookner's senior thesis at NYU film school and then expanded into a feature which was completed 5 years later in 1983. Sound was recorded by Jim Jarmusch and the film was shot by Tom DiCillo, fellow NYU classmates and both very close friends of Brookner's.
简介：哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
简介：A killer stalks a composer staying at a posh Tuscany villa while writing the score to a horror film which has an incriminating clue to the killer's identity.
简介：八十年代的恐怖电影《处刑在午夜》（10 to Midnight）中，外表不佳却颇具性格气概的老电影人查尔斯·布朗森在片中饰演一个警探，逮捕到一位专门辣手摧花的杀人犯，苦于没有证据，老查不得已设法编造证据，想送他进大牢，不料被穿帮，凶手放出来后，决定对老查的女儿下手以实行报复。为什么老查根本找不到凶手的罪证呢，原来凶手每次行凶前必把自己的衣服脱光，你想找到任何沾有血迹的衣服、裤子、鞋子，都难如登天。于是，反一号男主角吉恩·戴维斯在片中有一半的戏份都要光着身子。《处刑在午夜》在裸露尺度的把握上，真正做到了“男女平等”，你脱我也脱，像吉恩·戴维斯这种可以走偶像路线的男星，接拍《处刑在午夜》实在得不偿失，别说必须时不时的衣不蔽体，角色形象也负面到极点，从片子的票房来看，他也真是白忙了一场。可能从一开始，吸引他的只是赫赫有名的曾导过黑白原版《恐怖角》（Cape Fear）与《纳瓦隆大炮》（The Guns of Navarone）的大导演J·李·汤普森吧，可惜人有失手马有失蹄，这一回他可是脱得很没价值呐！
简介：Angel, a member of a punk rock band in the apocalyptic future, is kidnapped by Mok, a legendary superocker. Obsessed with a dark experiment, Mok plans to use Angel's voice to summon a demon from another dimension. The rest of the band follows Mok to Nuke York in an attempt to get her back.
简介：Desdemona lives on an isolated island with her strange family: her father Mario, her stepmother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona's family.