主演：凯文·克莱恩,凯文·史派西,玛丽·伊丽莎白·马斯特兰托尼奥
导演：艾伦·J·帕库拉
简介：理查德（凯文·克莱恩 Kevin Kline 饰）和妻子普莉希拉（玛丽·伊丽莎白·马斯特兰托尼奥 Mary Elizabeth Mastrantonio 饰）之间的感情非常的要好，两人结婚多年，日子虽然在平静之中流逝，但也不失幸福。这一天，夫妻两人的隔壁搬来了一对新人：艾迪（凯文·史派西 Kevin Spacey 饰）和他的太太凯（丽贝卡·米勒 Rebecca Miller 饰）。这对友善热情的夫妻很快就同理查德与普莉希拉成为了好友。理查德发现凯总在有意无意之中诱惑着自己，随着时间的推移，定力不够的理查德沦陷了。某日，理查特在凯家中和她发生了关系。哪知道第二天，凯竟然死了，一切指认凶手的线索都对准了理查德。
主演：米歇尔·珍娜,Carlos,Areces,胡里安·毕亚格兰
导演：那奇欧·维加隆多
简介：西班牙某城市。结束了前一夜的纵情欢愉，名叫朱里奥（朱里安·维拉格兰 Julián Villagrán 饰）的男人从睡梦中醒来，见到了眼前这个与之共享鱼水之欢的陌生女子朱莉娅（米歇尔·珍娜 Michelle Jenner 饰）。一番尴尬的交谈过后，二人却发现周围有些异样，白日的街道上空无一人，电视信号和网络全部中断。从广播中听说，似乎有外星人入侵地球，硕大的飞碟盘旋上空，人们皆仓皇地从城中撤离。不久，朱莉娅的邻居安吉尔（Carlos Areces 饰）和男朋友卡洛斯（Raúl Cimas 饰）相继加入进来，奇怪的氛围在四人之间蔓延，谎言与私欲让他们开始猜测有外星人混在了他们中间……本片荣获2011年奇幻电影节评委会奖最佳男主角奖（Julián Villagrán）。
主演：Abed,Abest,Mona,Ahmadi,Ainaz,Azarhoush,Nazanin,Babaei,Mohammad,Berahmani,Siavash,Cheraghipoor,Saeed,Ebrahimifar,Alireza,Esapoor,内达·吉布拉伊利,沙迪·卡拉姆鲁迪,巴巴克·卡里米,Mohammad,Reza,Maleki,Faraz,Modiri,Milad,Rahimi,Amanaz,Safari
导演：沙朗·莫克利
简介：在伊朗偏僻的山区，来自各地的大学生带着风筝参与盛会，循着小路来到荒郊野外，于宽阔的湖边扎营。越过长长的树林来到一间神秘的餐厅，三位厨师大叔正虎视眈眈地觊觎不远处的大学生，为餐厅“食材”做打算。一镜到底手法挑战导演场面调度功力，时间元素巧妙透过多线叙事不断交会，让一场猫捉鱼的故事，成为令人喘不过气的梦魇。
主演：柯焱曦,熊婧文,秦海
导演：禹岚馨
简介：一所重点高中专门安置关系户的班级招来了两所中学的一群不良少男少女，他们在各自头目的带领下，嚣张跋扈，彼此PK，为争班级老大成天混战，以捉弄老师为eee。突然有一天，这群不良少男少女破天荒地决定联手，宣称要拿下期末考试年级前十和文明班级流动奖杯。这一切的变化都是因为他们收到了一封未来的自己寄来的信。信中除了历数他们在毕业班里将要发生的事件，还希望他们善待他们的班主任，一位正直善良的数学老师。信中的预言一一言中，在老师的因势利导下，不良少男少女真的走上了迈向未来的正确发展之路。故事在学生和老师之间冲突和情感的跌宕起伏中突显影片的主题：积极向上其实植根在每个人的心里，真诚和坚持是唤醒成长的一把钥匙。
主演：北村匠海,永山绚斗,村上虹郎,高杉真宙,山田裕贵,杉野遥亮,吉泽亮,铃木伸之,矶村勇斗,间宫祥太朗,真荣田乡敦,今田美樱
导演：英勉
简介：该片改编自同名漫画，主人公花垣武道（北村匠海 饰）因被推下月台意外穿越到10年前，他为了拯救被“东京卍会”杀害的女友，决定向该不良组织发起挑战。
主演：曲尔贾,聂鑫,丹巴下姆
导演：江涛
简介：一个藏族牧民的家里，美丽姑娘卓玛清晨被吵醒，因为深深爱着她的藏族小伙多吉一大早就在她家门前唱着劳动歌，嘿嘿哈哈的，合着打桩声、牛叫声、劈柴声、同伴们的附和声……卓玛笑着出了门，走向多吉，带着一个清脆甜美的女声加入了刚才热闹的交响，这样一来多吉反到不好意思唱了。虽然身着藏服，可大家都说卓玛不像藏人到像汉人。今天是卓玛的成年的日子，多吉打算今天就向她父母提亲， 可卓玛的家人却对多吉说，女孩的婚事他们无权决定。原来卓玛不是这家牧民的女儿，18年前有一个藏族老汉抱着她在风雪中闯进这家牧民家中，老汉说他本打算带着外孙女去朝拜梅里雪山，可走到半路觉得自己体力不支，他担心自己在路上倒下连累孙女，就想把孙女寄养在这家牧民家中，等他朝拜回来再接走。这家牧民满口答应老汉的请求，可老汉离去后就再也没回来，后来听说老汉死在了朝拜的路上，被一个寺庙的喇嘛天葬了。老汉没留下关...
主演：陶慧敏,李雪健,陶海
导演：雷献禾
简介：电影《老阿姨》根据93岁高龄的全国道德模范龚全珍真实事迹改编。讲述了开国将军甘祖昌和龚全珍老阿姨相濡以沫三十载的故事。1950年，龚全珍（陶慧敏 饰）参军奔赴新疆，担任新疆八一小学教师。经组织介绍和比自己大十八岁的新疆军区后勤部长甘祖昌（李雪健 饰）结婚。甘祖昌因战争中三次负伤，经常头痛不能正常工作，要求回乡当农民。将军回乡当农民，全国尚无先例，申请三年，才获组织批准。龚全珍也随丈夫来到江西，他们共同经历了时代的风雨，相濡以沫、生死与共。甘祖昌去世后，龚全珍传承甘祖昌精神，带领子女勤俭节约、艰苦奋斗、帮助贫困家庭和失学儿童，用大爱情怀书写自己传奇的一生。2013年，龚全珍被评为全国道德模范，受到习近平总书记的接见，并被习近平总书记亲切的称为老阿姨。
主演：郭达,薛白
导演：桑桦
简介：8月30日，由西安“曲江文化产业专项扶持基金”资助、陕西大象影视传媒有限公司投资拍摄的电影《马背上的电影》在陕北甘泉县正式开机拍摄。该片根据“鲁迅文学奖”获得者、著名作家、西安市作家协会主席吴克敬同名中篇小说《马背上的电影》改编。电影剧本《马背上的电影》在尊重和保持原作风格的基础上，以散文式的叙事手法、细腻的镜头语言、浓烈的色彩,用电影化的语言描写了男女主人公张光荣、蒙点心浪漫而又动人的一段爱情故事，细致地描写了他们对电影的挚爱，真实地展现了蒙点心这位陕北女子敢爱敢恨的个性，刻画了张光荣真实可信的形象。剧本充满了浓郁的陕北风韵，令人回味无穷。
主演：Yukiko,Ito,William,Yagi,Kazuya,Moriyama
导演：Felicity,Tillack
简介：The story of a traditional Kyoto woman who runs a failing kimono business and the entrepreneurial, biracial, business consultant who comes to help keep it solvent. Along the way they fall in love, but his need for change clashes with her desire for the world to stay the same. In the end, can they change enough for each other? Set in 2018, Impossible to Imagine is a film that ex...
主演：Farhan,Akhtar,Konkona,Sen,Sharma,Rishi,Kapoor
导演：Zoya,Akhtar
简介：影片是关于两个有着电影梦想的年轻人，关于宝莱坞的梦。 索娜 (康柯娜·森·沙尔玛饰）带着成为电影明星的梦想来到孟买。维克拉姆（法尔汗·阿克塔尔）离开了在德里舒适的父母家搬到了这个城市。他年轻和英俊和充满希望。索娜与维克拉姆开始了一段浪漫之旅。 罗里（瑞施·卡普尔）是位成功的超级明星的制片人，他只为那些大明星做事。他正在要把一位70年代超级影星内娜（迪姆帕尔·卡帕迪亚）的18岁的女儿妮吉 胡拉娜（伊莎·沙尔瓦尼），塑造成他的重磅炸弹。电影中的英雄，扎发尔·可汗（赫瑞提克·罗山），是罗里最喜爱的明星。他出演的罗里的影片票房不断攀升。 命运的轮子向着维克拉姆转动，他终于获得机会在罗米·罗里的新片中担任角色。影片是关于宝莱坞影城的生活...... 影片还邀请到了宝莱坞最著名的影星出演他们自己，以表现影片反映的宝莱坞电影产业的状况
主演：刘之冰,王晖,丁柳元,巫刚,荆明华,侯天来,周征波,王欢,刘继忠,赵晓明,马晓伟,侯祥玲,金鑫,李幼斌,冯恩鹤,颜世魁,黄品源
导演：张玉中
简介：继“四一二”反革命政变以后，五月份马日事变发生，湖南长沙大批共产党员被害，国共合作到了最危急的时刻。为此，毛泽东（王晖 饰）、周恩来（侯祥玲 饰）、瞿秋白（刘之冰 饰）、李维汉（王欢 饰）、陈独秀（金鑫 饰）、邓小平（钟秋 饰）等人汇聚武汉商量对策，以期为陷入绝境的中国共产党寻找出路。此时的武汉鱼龙混杂，有貌似公正的汪精卫武汉国民政府、有不谙中国情况的共产国际代表和各路军阀武装，共产党人举步维艰。“七一五”反革命政变，使革命者彻底丢掉了幻想，在经历了一系列斗争之后，共产党人先是在南昌举行了武装暴动，接着在武汉召开了期待已久的紧急会议——八七会议。从而确定了中国共产党武装暴动、开展土地革命的方针，使中国革命掀开了一个新的篇章。
主演：李广斌,李岩,佴文,杨丑蟾,赵永占
导演：孙传林
简介：正德八年，一名代号龙太子的神秘人物浮出江湖，拟定了一份颠覆朝野的暗杀名单，名单上尽数保皇派重臣。铁手飞鹰的传人崇明初入江湖，受锦衣卫沈大人重托，保护手握兵权的袁大人，展开了一段腥风血雨的传奇历程。
主演：杰夫·布里吉斯,玛吉·吉伦哈尔,科林·法瑞尔,罗伯特·杜瓦尔,大卫·曼扎纳雷斯,贝丝·格兰特,汤姆·鲍尔,安妮·科利,詹姆斯·基恩,安娜·菲利克斯,保罗·赫尔曼,瑞恩·宾汉姆,里克·岱尔,黛布瑞安娜·曼西尼,杰瑞·汉迪,杰克·内辛,瑞尔·亚当森,J·迈克尔·奥利瓦
导演：斯科特·库珀
简介：本片根据美国小说家托马斯·科布（Thomas Cobb）的同名小说改编。拜德·布雷克（杰夫·布里吉斯 Jeff Bridges 饰）是一名酗酒成性的落魄蓝调乡村歌手，在新墨西哥州州府圣菲市表演时，认识了圣菲报的记者琴（玛吉·吉伦哈尔 Maggie Gyllenhaal 饰）。濒临破产的拜德赶往凤凰城为自己的旧时学生，新晋乡村红歌星汤米·斯威特（科林·法瑞尔 Colin Farrell 饰）的演唱会开场。演唱会后在从凤凰城到圣菲市的路上拜德出车祸，在琴家养伤，二人情愫渐生。拜德重新开始写歌，并向多年好友韦恩（罗伯特·杜瓦尔 Robert Duvall 饰）倾诉心声，一切似乎都在向着好的方向进行。但在琴携四岁的儿子来休斯顿探访拜德的过程中，一件意外却让拜德真正意识到自己的人生路在何方……本片荣获第82届奥斯卡最佳男主角（Jeff Bridges）、歌曲2项大奖，并获得最佳女配角提名（Maggie Gyllenhaal）。英国学院奖最佳男主角提名和最佳原创音乐提名，以及获金球奖最佳剧情片男主角奖及剧情片最佳原创歌曲奖。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：黄秋生,吴镇宇,毛舜筠,林子聪,林苑,张敬轩,林雪,郑中基,田蕊妮,森美,钱嘉乐,刘浩龙
导演：吴镇宇,麦子善
简介：为人好吃懒做的阿鸡（吴镇宇）虽挂名某家大公司某部门的经理，但终日并无事情可忙，他凭借满脑鬼主意，与在自己手下打杂的好兄弟阿九（林子聪）过着浑噩的撞钟日子。公司因经济不景气决定裁员，方式竟是比拼才艺。阿鸡和阿九无专长可施，愁眉之际得舅公（黄秋生）指点，恍惚记起自己是舞狮世家之后，决定表演日渐无人问津的舞狮。但公司没等到两人大展身手已经关门大吉。阿鸡与阿九垂头丧气坐立街头，硕大的狮头引起路人侧目。在路人钱财的鼓动下，两人舞动狮头，正酣之时，警察过来阻挠，双方发生激烈争吵，引来媒体关注。不想此事令港人重对舞狮发生兴趣，阿鸡与阿九成为名人。阿鸡姐姐（毛舜筠）是天生生意人，见舞狮有利可图，也着手去做，他人更是在利益诱惑下趋之若鹜。眼见这一切，舅公叹气摇头。
主演：黄秋生,吴镇宇,毛舜筠,林子聪,林苑,张敬轩,林雪,郑中基,田蕊妮,森美,钱嘉乐,刘浩龙
导演：吴镇宇,麦子善
简介：为人好吃懒做的阿鸡（吴镇宇）虽挂名某家大公司某部门的经理，但终日并无事情可忙，他凭借满脑鬼主意，与在自己手下打杂的好兄弟阿九（林子聪）过着浑噩的撞钟日子。公司因经济不景气决定裁员，方式竟是比拼才艺。阿鸡和阿九无专长可施，愁眉之际得舅公（黄秋生）指点，恍惚记起自己是舞狮世家之后，决定表演日渐无人问津的舞狮。但公司没等到两人大展身手已经关门大吉。阿鸡与阿九垂头丧气坐立街头，硕大的狮头引起路人侧目。在路人钱财的鼓动下，两人舞动狮头，正酣之时，警察过来阻挠，双方发生激烈争吵，引来媒体关注。不想此事令港人重对舞狮发生兴趣，阿鸡与阿九成为名人。阿鸡姐姐（毛舜筠）是天生生意人，见舞狮有利可图，也着手去做，他人更是在利益诱惑下趋之若鹜。眼见这一切，舅公叹气摇头。
主演：Akshay,Kumar,Katrina,Kaif,Clive,Standen
导演：Vipul,Amrutlal,Shah
简介：Jazz（卡特莉娜?卡芙 Katrina Kaif 饰）是个从小生活在伦敦的印度女孩，生活的各个方面都浸染在英式的熏陶下，甚至把自己原来的名字Jasmeet改为Jazz。新潮时尚的女孩和她父亲观念上的矛盾让他们争吵不断，父女战争的升级终于让她父亲带她回了印度，开始接受各种相 亲。父亲决定让她嫁给乡下的男孩Arjun （阿克谢?库玛尔 Akshay Kumar 饰），Jazz觉得自己和这个不会说英语的传统印度男人没有任何的话题，然而形势所迫，在朋友Imran的建议下她假意和Arjun举行了印度的结婚仪式得以回到伦敦。回到伦敦的Jazz告诉父母和Arjun这个婚姻在英国不具有合法性，然后答应了男友Charlie（克莱夫?斯坦登 Clive Standen 饰）的求婚。Arjun对Charlie一行人的印度偏见的据理力争让Jazz对他有所改观，朝夕相处让她...
主演：伊德里斯·艾尔巴,沙尔托·科普雷,利亚·杰弗里斯,伊亚娜·哈雷,梅尔·贾森,阿玛拉·米勒
导演：巴塔萨·科马库
简介：奈特博士（伊德里斯·艾尔巴 饰）刚刚经历丧妻之痛，他决定带着他的两个女儿重返他和妻子第一次相遇的南非，并前往由他的世交好友和野生动物生物学家马丁·拜托斯（沙尔托·科普雷 饰）管理的野生动物保护区，展开一场计划已久的旅行。但是这场疗伤之旅却变成一场惊惧可怕的求生之旅， 因为他们被一头逃出贪婪残暴的盗猎者毒手之后，将所有人类都视为敌人的巨狮盯上并猎捕。《野兽》（Beast）是一部电影，具体上映时间和导演、编剧、主演信息并未提供。以下是一个根据常见电影情节进行的虚构简介。《野兽》是一部紧张刺激的悬疑惊悚片，以人性的复杂性和内心的黑暗为主题。故事发生在一个小镇上，主角是一位看似普通的年轻女性（由未知演员饰演）。她的生活在一次意外事件后开始发生变化。女主角的日常生活被一个神秘的杀人案件所打破，她发现自己陷入了一个充满谎言和背叛的世界。随着调查的深入，她开始怀疑自己身边的每个人，包括她信任的人。她必须与时间赛跑，揭开真相，找到真正的凶手。《野兽》以其扣人心弦的情节和意想不到的转折而引人注目。影片通过紧张的氛围、惊险的场景和出色的演员表演，将观众带入一个充满危险和不确定性的世界。故事中的角色们面临道德抉择和生死考验，揭示了人性的暗面和欲望的力量。导演以精心的镜头运用和剪辑技巧，将故事呈现得引人入胜。画面的处理和音效的运用增强了紧张和恐怖的气氛，使观众沉浸其中。同时，精心构建的角色关系和情感线索为故事增添了复杂性和深度。《野兽》不仅仅是一部刺激的悬疑片，它也探讨了人性的复杂性和道德困境。影片通过角色的选择和行动，反映了社会和个体之间的冲突和权力斗争。观众将被引导思考关于善恶、正义和人性的问题。总之，《野兽》是一部引人入胜的悬疑惊悚片，以其紧张的剧情和出色的表演而脱颖而出。观众将被带入一个充满谜团和危险的世界，与角色一同展开一场殊死的较量，揭示隐藏在人性深处的真相。
主演：威尔弗里德·布兰贝尔,Terry,O'Sullivan,Iain,Munro,Jeanne,Doree
导演：特伦斯·戴维斯
简介：In sepia tones, the film moves back and forth among three periods in Robert Tucker's life he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
主演：雷·温斯顿,盖·皮尔斯,艾米丽·沃森,丹尼·赫斯顿,理查德·威尔逊,大卫·文翰,约翰·赫特
导演：约翰·希尔寇特
简介：故事发生在1880年的澳大利亚，警察和黑帮之间的关系已经降到了冰点，所有人都知道，事态再照这样发展下去，一场恶斗在所难免。土匪阿瑟（丹尼·休斯顿 Danny Huston 饰）的举动让事件向更糟的方向发展而去，他在小镇居民霍普金斯家展开了一场血腥残暴的大屠杀后逃之夭夭。看到兄弟已然丧失了理智，查尔斯（盖·皮尔斯 Guy Pearce 饰）决定带着麦克（理查德·威尔森 Richard Wilson 饰）远走高飞。在关键时刻，斯坦利警长（雷·温斯顿 Ray Winstone 饰）制服了查尔斯，绑架了麦克，他以麦克的性命为筹码，要求查尔斯杀掉丧心病狂的阿瑟。两边都是手足情深的兄弟，查尔斯陷入了艰难的抉择之中。
主演：横山裕,涩谷昴,村上信五,丸山隆平,安田章大,锦户亮,大仓忠义,ベッキー,莲佛美沙子,竹中直人,田山凉成,石桥莲司,东山纪之,馆博
导演：堤幸彦
简介：2035年，日本经济衰退，人口锐减，少子高龄化使国家走向崩溃边缘。除少数城市外，国内大多数城镇和百姓都被国家所抛弃。与此同时，号称暗黑十字军（Dark Crusade）的犯罪组织称霸全国，企业化的警察部门难有作为。为了应对日益严重的犯罪，名为英雄协会的民间组织营运而生，以银队长（馆广 饰）为首的百名关8战队勇士与罪恶势力展开连番对决。被债主追索苦逼的青年横峰诚（横山裕 饰）意外加入英雄协会，此时此刻，大多数战队战士壮烈牺牲，只剩下涩泽薰（涉谷昴 饰）、村冈雄贵（村上信五 饰）、丸之内正悟（丸山隆平 饰）、安原俊（安田章大 饰）、锦野彻朗（锦户亮 饰）以及大川良介（大仓忠义 饰）等各自有着不堪人生经历的年轻人为了糊口留在协会中。暗黑十字军的头目Mr. Dark在八万市展开接二连三的犯罪活动，毫无责任心的年轻战士们能否拯救民众于水火呢？